11 Eastgate, Lincoln LN2 1QG

What3Words

sulk.emerge.loves

Below: Photo credit - Lincolnshire Co-Op, June 2023, used with kind permission



 

When I was six years old, I broke my leg
I was runnin' from my brother and his friends
And tasted the sweet perfume of the mountain grass I rolled down
I was younger then, take me back to when I

Found my heart and broke it here
Made friends and lost them through the years
And I've not seen the roaring fields in so long, I know I've grown
But I can't wait to go home

I'm on my way
Drivin' at ninety down those country lanes
Singin' to "Tiny Dancer"
And I miss the way you make me feel it's real
We watched the sunset over the castle on the hill

Excerpt from the lyrics of Ed Sheeran's Castle on the Hill

As an artist, I specialise in unusual requests.

I was given the challenge of reimagining a lifesize model Labrador with a theme of Ed Sheeran, for Suffolk Libraries' PAWS-itivity art trail.

My favourite song of Ed's, Castle on the Hill therefore inspired Castle on the Dog.
 

The figurine of Ed starts out as a wire skeleton, just the right scale to sit on the dog's front leg.

The guitar body and many of the other details are sculpted out of Apoxie Sculpt clay. I constantly look back at reference photos of Ed, his guitar and the castle. Gradually the hands and face of the figurine take shape, with the aid of various sculpting tools and fingers. Wetting the clay or allowing it to dry a bit helps achieve the correct consistency for carving the most intricate details. I've been sculpting miniature figurines out of wire and clay since I was seven. The sculpture often looks quite bizarre at this early stage, but eventually it begins to look more human. The addition of hair, beard and glasses are all particularly important to make it recogniseably Ed Sheeran.

The castle in question is Framlingham Castle in Suffolk, which Ed fondly remembers in his nostalgic lyrics.

I base my model of the castle on a map to make it as accurate as possible, and use stainless steel angle and flexible mounting brackets bent into shape to give it structural rigidity. The whole thing is then threaded together with wire, very much as you would sew a garment from pieces of fabric.

Back to the guitar, which is a complex three dimensional form. It took a fair bit of experimenting, trial and error, to find objects that were just the right shape to make the neck and finger board: a silver spoon and a plastic fork not only look about right but also add a lot of strength to the sculpture, especially when bent or trimmed into shape.

I use Apoxie Sculpt to secure the neck and fingerboard in place, plus flattened paper fasteners for the pegs.

Back to Ed, who now has to have his glasses fitted,  more hair added, and more beard too.

I can now paint the guitar body, using acrylic paints, to make it look more like polished wood.

I bulk out the figurine with aluminium foil, ready for adding clothing.

Six pieces of very thin wire will make the guitar strings, wrapped around a tiny piece of serrated plastic knife to space them equally apart. They are attached to the guitar with more Apoxie Sculpt.

Ed's albums and guitars are distinguished by mathematical symbols, so the divide sign is very important for Castle on the Hill.

Once the finger board markers have been added, I can finally finish stringing the guitar, and add finishing touches of paint.

Now to secure Ed to the dog's forelimb. Apologies, this looks like a painful operation for both Ed and the Labrador!

Back to stitching the castle together, which I'm pleased to see now holds together well, so I can begin positioning it on the dog's back, but it still needs a lot more structure adding to make the flat castle grounds, and the Poor House, which is made of layers of foamboard stuck together with PVA, and fine wire mesh for the tiled roof.

At last, the castle is ready to be attached to the dog, making it as level as possible. I use air drying silk clay to bulk out the hill, and pipe cleaners to make the tiny trees that grow inside the castle grounds. Foam clay creates a textured surface for the lawn and pathways. It looks like Framlingham Castle in the snow as I begin to cover the framework with Apoxie Sculpt clay, and carve details of the architecture.

I sculpt Ed's shoes out of Apoxie Sculpt, too, and then add his clothes using plaster bandage and paint.

I add a bit more colour, and suddenly it begins to look like Ed.

More detail on the castle, and more paint to change the season. Soon it looks like full summer.

Now that the castle on the dog was just about finished, I google 'does Ed Sheeran have dogs'? It turns out that Ed is a serious cat lover, so of course I had to add a little cat curled up beside him, so that you might not even notice it if you don't know it's there. The cat is made out of Apoxie Sculpt and painted with acrylics. I think it's enjoying Ed's strumming on his guitar.

As a finishing touch I darkened the dog's coat, to make Ed and his castle stand out more.

So now I can create my own sunset over the castle on the hill, or more precisely the castle on the dog.

I hope you've enjoyed this behind the scenes view of miniature sculpting in progress.

My partner Jason Curtis and our friend and fellow artist Anne-Marie Byrne have also created designs for the PAWS-itivity trail. You can see all 40 Labradors gathered at the Suffolk Show on 31st May and 1st of June 2023 at Stand 462. After that they will be on display at many of the Libraries across Suffolk, before being auctioned to raise funds for Suffolk Libraries in the autumn.

Many thanks for watching.

'We Are All Connected' is a giant 'web of life' sculpture made of wire and food related metal items.

Wire is used to bind everything together and suspend all the elements of the sculpture aloft, including intricately detailed riverside fauna and flora.

Wire represents the interconnectedness of all things.

Metal cutlery and kitchen utensils emphasise the theme of food, in reference both to the food web and the Food Museum.

Eight artists were commissioned to create riverside sculptures for the new trail, which launched on 22nd June 2022 and remains on permanent display at the Food Museum, celebrating the rich biodiversity of the surrounding riverland area.

My web of life is populated with more than a dozen animals and plants, each one sculpted out of the most unlikely things!

How many will you spot?

A hedgehog made of forks and a gravy boat.
A butterfly made of a butter knife, tongs and spoons.
A great crested newt made of two toast racks.
Acorns of egg cups.
Hops of spoons.
Willow leaves of fish knives.
A stag beetle made of a ladle.
A bream made of chicken wire.
A carp made of a fish platter, toast rack and fish slices.
A kingfisher made of bowl strainers and table knives, with a whisk caught in its beak.
An  oxlip made of 50 teaspoons.
Grain made of long-handled teaspoons.
An otter made of kitchen utensil holders, fish slices and a sardine tin.
A bat made of sphaghetti tongs, spoons and a soup ladle.
A trio of field mushrooms made of colanders and bird feeders.
An owl made of two bird feeders, a mini butter knife, bowl strainers and a fish slice.
A lizard made of chicken wire.
A bee made of an ice cream scoop, gravy boat, grapefruit spoons for the eyes, tea diffusers for pollen sacs, and a wine bottle rack for the honeycomb.
And of course a spider, made of a spider sieve skimmer, a lemon juicer and sugar tongs.

Through food, through energy, through the web of life, we are all connected.


Photographs by David Bülow-Osborne, used with kind permission

Pallet Bar manager Ella-Marie Gill talks about the name: "Pallet: We took inspiration from pallets to design the bar itself and also the logo. Our logo represents a pallet alongside our chosen colour theme. Another main focus of ours is sustainability, for the site we chose to work with Will Build Developments who specialise in sustainable construction. Palette: We are an arts bar supporting local artists, showcasing their art on our walls which is for sale and will be changed every two months. We will also be having live painting taking place on the walls from more local artists, to create Murals. Palate: At Pallet we have had (many) drink tastings to find the right drinks for our customers. We have chosen a variety of local drinks, mainly from Suffolk. We have everything from wine, beer, coffee, spirits and more." Ella speaks about her own new role as Bar Manager: "I have always had a passion for hospitality since I started working in the industry when I was sixteen. As soon as I worked in a bar, I have never looked back. Being the Bar Manager of Pallet is a dream come true and I am so excited to be opening our doors Friday."

The idea for the exhibition came about quite spontaneously. When Ipswich-based artist couple Loïs and Jasön heard about the new art bar, they were immediately struck by the name 'Pallet' and its connection with their own work, specifically their mutual preference for unconventional canvases. With less than a week to prepare, they swiftly assembled a collection of original works, with several being created specifically for this - their first joint exhibition.


Jasön Curtis - Palette Knife Paintings on Reclaimed Wooden Pallet Boards

Recently renewing his focus on art after a lifelong career in engineering, Jasön Curtis prefers to be known as a 'creative spirit'. His work for Pallet includes an array of original nautical themed paintings onto recycled wooden pallet boards. He comments: "I may use brushes in my work, but prefer a blade, sponge, palette knife or Ka-bar, together with a keen eye and a broad imagination to envisage the scene and use the blade on wood to give the desired effect.

"The important thing when working with either wood or leather is to work with the beauty of nature's grain, flow with it, rather than battle against it. It's all ergonomics. As Bruce Lee said, 'Be like water'."

Water is a prevalent theme in Jasön's work. He reminisces: "Having spent most of my childhood in the Caribbean I have a fondness for blue skies, crystal waters and sailboats. But it was in the early 80s that my spiritual adventure started. My parents were both radicals, artists, adventurers, and very eccentric, hence I spent much of my time surrounded by great sculptors and artists of the period, who were a massive influence on me. It was a truly bohemian lifestyle, and I soaked it up.

"The late 90s was the pinnacle of my bohemian career. I reached my own personal plateau in short story writing, sculpting and poetry, winning a couple of prestigious titles. But I yearned for something a little more grounding, so I became an engineer. Fast forward 20 years and here I am today. The engineering story was good fun and working with the best manufacturers in the world was an opportunity I will always remember with fondness, but I'm back, back with my art, back with a glint in my eye and an imagination that's unsuppressed."

Since Jasön resumed his creative journey in August, he ploughed into painting with such enthusiasm that he very soon ran out of canvases. He stumbled on a pile of old wooden pallets in the garden. When he began chopping them up with an axe, he noticed how the natural wood grain caused some of them to crack and splinter into the most beautiful, dramatic shapes, and the idea struck him that these would make extraordinary one-of-a-kind canvases. Using a blow torch to seal and harden them further enhanced the patterns of the grain.

Jasön also has some of his paintings for sale in his Etsy shop: 1440CreativeSpirit. The number 1440 is a reference to archery, one of Jasön's greatest passions since his adolescent years spent growing up in the wilderness of Mid Wales, after his parents moved there from the Caribbean.

Below: Jasön Curtis, the 'Creative Spirit', at work in his studio, November 2021.

Jasön moved from Cambridgeshire to Ipswich a year ago to join Loïs. It was a relief to be reunited after nearly nine months of separation due to the pandemic.

Jasön and Loïs first met in 2015, a connection that was forged through their unusual mutual passion for precision blades: Loïs uses a surgical scalpel to create intricately detailed papercut designs, while Jasön uses a variety of knives and other tools in his handcrafted leatherwork. Interestingly, both artists now also exploit the flexible blades of palette knives in their acrylic paintings to balance printed precision with the characteristic imperfections of knife painting.


Below: 'Gourmet Palate', palette knife acrylics on artist palette, Loïs Cordelia


Loïs Cordelia - Palette Knife Paintings on Artist Palettes

Loïs first began experimenting with palette knife painting in 2015 and was instantly hooked. With her pre-pandemic emphasis on painting live in public settings, she often demonstrated and taught using palette knives, being keen to introduce fellow artists to their uniquely expressive mark-making potential. She remarks: "Many artists briefly try palette knife, bizarrely expecting the blade to behave like a brush, and when it doesn't, they swiftly become frustrated, give up and go back to brushes. But it's not a brush. It's a tool with its own unique voice. There are lots of things you can do with a palette knife that you can't possibly achieve with a brush, or that would take a hundred times longer.

"I know some people are put off by the unfortunate negative connotations of the word 'knife', but in our language - as artists, creatives, engineers and bushcraft enthusiasts - a knife is only ever creative, never destructive. If only young people today were taught about the creative and life-saving value of knives. I should say that palette knives are not designed as sharp, cutting knives, but rather they have blunt, flexible blades that can be used to print, place, pull, ripple,  move, smudge and smoosh the paint. Smooshing (not to be confused with smooching!) is one of my favourite techniques - an effortless combination of smoothing and mashing that picks up and highlights the slightest texture of the substrate, whether wood, canvas or paper.

"Hearing about the new Pallet art bar set me thinking also of times I have painted directly onto wooden artist palettes. Ordinarily, of course, an artist uses a palette to lay out small amounts of paint for ease of mixing colours prior to painting onto a canvas, but I found the traditional kidney shaped palette to be an interesting and challenging canvas in its own right. Some of my artist palette paintings are set out with my paints arranged around the edges, showing how individual colours have flowed into the resulting artwork."

Below: "Autumn Palette", palette knife acrylics on wooden artist palette, 60 x 40 cm.


Loïs comments: "I have a reputation for being a 'speed-painter'. If anything, using palette knives in place of brushes speeds me up even further! I rarely take more than an hour on an individual painting.

"Palette knives allow you to layer light colours on top of dark or dark on top of light while the underlying paint is still wet. They let you trim, place and print paint with remarkable precision, while at the same time forcing you to loosen up your style. They allow you to plaster the paint on thickly in a richly textured, three dimensional impasto style, or spread it out so thinly that it merely accentuates the grain of the canvas."


Above and below: Work in progress on 'Painted Lady'

Loïs first discovered Fox Yard Studio a few weeks before the first covid lockdown. The proprietor Samanta Bell was hoping to launch the new gallery that Spring, but the pandemic delayed its official opening by many months. Loïs kept in touch with Samanta throughout lockdown. "Samanta and I had an instant affinity, not least because of our shared love of foxes! In the middle of the Old Fox Yard, you can see a beautiful bronze statue of Misty the Fox."

Earlier this year, Loïs created one of twelve murals for the Stowmarket Library Garden project, in collaboration with Fox Yard Studio and Modece Architects.



Loïs and Jasön hope you will enjoy their first joint exhibition at Pallet and perhaps be inspired to look at pallet boards and artist palettes in a new light. The exhibition runs until mid February. Pallet is open Monday to Saturday from 3.00 pm until 11.00 pm and serves a delicious array of drinks.

Pallet is located adjacent to Fox Yard Studio in the heart of Stowmarket.

The film references the following National Trust properties and WW1/WW2 connections:

Melford Hall, fields of poppies in the Suffolk countryside
Attingham Hall and WW1 convalescence ward
Belton Hall WW1 Hospital
Oxburgh Hall and Upton Hall Kitchen Garden, Dig for Victory
Tranmer House, Sutton Hoo
Women's Land Army, Lumberjills of the Women's Timber Corps, Culford, Suffolk
Sheringham Hall, Sheringham Park and Pillbox
Dunwich Heath, Operation Kruschen 1943
Clumber Park Memorial
Blickling Hall RAF Oulton, Norfolk

Loïs painted each scene using coffee pigment to suggest the inky sepia tone of old photographs, adding small amounts of finer detail digitally. Each human figure is cut out of paper and hinged with paper fasteners to articulate the movement of limbs and gestures one frame at a time. It takes about an hour to create a second's worth of stop motion footage.

 

A new book, Dance Wise, by internationally celebrated dancer and choreographer Stefan Freedman explores the science, psychology and healing powers of dance.



When the Covid pandemic prevented Stefan from continuing his busy programme of teaching Circle Dance around the globe, he turned instead to writing. This extraordinary book is the result, presenting 38 years' worth of experiences and insights, demonstrating how dance can assist in recovery from trauma, addictions, and stroke, and even bring healing to fractured communities.

Stefan combines research from the fields of brain science, neurology and psychology, linking with timeless parallels from mythology and folklore, presenting the whole with a dash of humour. The book has immense implications for mental health, but can equally be used to help inspire first dance steps in young children, and even in adults who think that dance is beyond their grasp, with fun, imaginative and simple-to-follow activities.

The book is accompanied by a resource-rich companion website: dancewise.net



Stefan writes: "Dance has been a surprising and powerful therapeutic path for me, with life changing discoveries along the way. This gives me the inspiration, as a 68 year old in the ‘harvesting’ time of my life, to chart the journey and pass on as many useful insights and tools as I can do in one book."



Dance Wise includes cover and vignette illustrations as well as freestyle brushpen hand-lettering by artist Lois Cordelia, created specifically for the book. Lois is an avid dancer herself, and most of her artwork is directly or indirectly inspired by the expressive freedom of movement that she finds in dance. She was delighted when Stefan asked her to create a series of illustrations for his new book, which was, at the time, still in the process of evolving. Lois resonates deeply with the themes, imagery and messages of Dance Wise.

The proverbial wise owl appears on the cover of the book - arguably a surprising choice of imagery for a book about dance. Do owls dance? It would appear so. Both Stefan and Lois are self-confessed night owls.

Dance Wise is now available on Amazon in paperback and Kindle (e-book) form. Order your copy today.



Previous Collaborations

Stefan and Lois have previously collaborated on a number of music, art, film and fundraising projects, including Malka, a film dedicated to refugee children, which has travelled around the globe since its Ipswich premier in 2016, being screened at more than a dozen international film festivals. Malka has touched the hearts of diverse audiences and cultures through the universal languages of music, song and visual art, and raising several thousand pounds for refugee support charities in the process.


Stefan Freedman (second from left) and Lois Cordelia (far right), with Andy Mapplebeck and Adrian Lush (middle), with some of the musical instruments and visual artwork for Malka, 2016 (photo credit: Tony Mounter, with kind permission)

More recently, Stefan and Lois collaborated on Land of No Today, a 75th birthday tribute song to Bob Marley, premiered in Ipswich in February 2020, a few weeks before lockdown. The launch event continued the fundraising efforts of Malka, helping to raise funds for Suffolk Refugee Support.

Both Malka and Land of No Today have inspired their own dance choreographies.

Stefan and Lois are both connected with local Ipswich and Suffolk based charity Inside Out Community, promoting arts for mental health and wellbeing. Inside Out Community is one of the case studies referenced in Stefan's new book to demonstrate the healing potential of dance.

Dance Wise is now available on Amazon in paperback and Kindle (e-book) form. Order your copy today.
 

I was asked by Nicole Schmidt of Mythos Podcast to create some artwork on the theme of the Wolf Woman to feature as part of her 'Wild Women' event in August 2020. This is the story of my journey into the wilds.

The new film premiered on 18th August 2020 to coincide with Nicole's virtual international evening of live storytelling on the theme of women and wolves. You can watch my film here:


 

Part 1: Gathering Bones

As an artist, I always believe in acting things out. In this case, I decided to walk in the steps of the Wolf Woman, who, according to folklore, wanders the deserts and barren places gathering bones. I gathered the next best thing: wooden sticks. My search took me into the heart of our beautiful local woodland, which I have known and loved since childhood.

A tree skeleton lies in state, the sunlight filtering through a rent in the canopy caused by its fall.

The Wolf Woman of legend is so named because she hunts mostly for the bones of wolves. Patiently, she collects every tiniest bone, making sure that none is missing. The skeleton must be complete. When she has found them all, she takes them back to her lair, polishes them, arranges them into a perfect sculpture, and sings over them by the fire until flesh grows back over the bones and a living wolf springs up and runs off into the wilderness, turning into a laughing wild woman as it does so.

My journey took me through a variety of different wild spaces. The wild can take many different forms, even in the quiet East Anglian countryside. Through this simple, timeless activity, I reconnected with my own wild side, gathering bones to create a sculpture. Even a pinecone might be useful.

Connecting with your wild side doesn't have to be dangerous or savage. It might be as simple as doing something you've always wanted to do but felt inhibited. Go for it.

Back at my creative lair, I mused over how to connect the bones I'd gathered. I wanted the sticks still to be visible and recogniseable for what they are, but the structure to be strong and stable. So I chose aluminium armature wire (which I often use in my sculptures) to begin binding the sticks together, rather like connective tissue and sinews holding bones in place. Sticks and twigs can be quite brittle, so it's important to be careful when binding them, not to force them into a shape, but spend time, first, feeling with your fingers and hands how they will best fit together. The more sticks are bound, the stronger the overall structure becomes. Every now and then I had to pause to rescue tiny ant and spider hitchhikers who had accompanied me back from the wilds.

After establishing a backbone for my sculpture, I began to add appendages. Bones and sticks are not all that different in their role of supporting the softer, more delicate parts of the organism. To make a figure sculpture that is structurally sound as well as beautiful and in proportion, I generally start by creating the spine and then gradually work outwards to shape the limbs, head, tail and any other features.

When working in three dimensions, I also strongly recommend turning the evolving sculpture around while you're working on it, to see how well it works from different angles. Sculptures are rarely designed only to be seen from one aspect. Placing mirrors behind your work can help.

Health and safety are vital, too. If you're using wire, ideally keep most of it coiled up while you're twisting the end into shape, as it's less likely to hurt you. If in any doubt, wear goggles.

Gradually, my sculpture took form, evolving a bit further with each new twig that I added and secured in place, and I thought of the Wolf Woman assembling her sculpture of bones.

Although the story of 'La Loba' (the Wolf Woman) sounds purely macabre to most modern ears, it teaches us the power of preserving our wildness - as women, yes - but the same can be said of any gender. I would suggest that it is particularly relevant to anyone creative: artists, poets, dancers. However well-meaning, society fears what it does not understand and seeks to control it. Hence, our natural wildness, freedom and creativity have to be tamed and controlled. No wonder many of us lose our creative spark when growing up.

My sculpture now has four legs and you can see the overall shape emerging but, like a baby animal, it's still a bit shakey on its feet. It will need reinforcement.

Whenever we spend time reconnecting with our wild side - for example, when we stand in awe beside a thundering waterfall, or dye our hair a crazy colour, or dance like noone's watching - we return to our everyday lives immeasurably enriched. If our search has been long and diligent enough, we come back with bare bones, so to speak, or raw materials for something abundantly exciting and creative: maybe the inspiration for a new artwork or book, or a creative solution to a problem we couldn't otherwise solve, or simply a feeling of energy and abundance that gives us a new spring in our step.

Next time you feel stuck getting into the spirit of your creative theme, remember: it's always worth acting things out.
 

Part 2: Song of the Wolf Woman

It's interesting that art 'mediums' are so-called. They possess nothing inherently creative in themselves. They are just paint colours or brushes or inks. Until an artist picks them up and uses them to express meaning, beauty and emotion. They are like the lifeless bones that the Wolf Woman gathers.

In this case, I'm using acrylic paints and a palette knife on a sheet of black card. As Leonardo da Vinci said: “A painter should begin every canvas with a wash of black, because all things in nature are dark except where exposed by the light.”

Picking up the tiniest slivers of paint colours, I press the blade flat, allowing the paint to pick up the slight texture of the card. This atmospheric technique is called 'smooshing', a combination of smoothing and mashing.

Now I'm picking up colours along the edge of the blade and 'placing' the paint on the black card to begin to define edges and outlines. You can do many things with a palette knife that you cannot easily do with a brush, including the effortless techniques I'm showing you here. But don't take my word for it - why not have a go at knife painting?

Negative shapes begin to emerge, which become positive, because they read as silhouettes. I'm painting from imagination, imagining the song of the Wolf Woman channeling life into the bones she has gathered, and the flames dancing around her in the night. Let's paint her, too, swaying as she sings over the bones as they spring to life.

In this story, the Wolf Woman is a medium, a channel, for the life force that flows through her to animate the otherwise lifeless bones. She is not the life-giver. In the same way, an artist is not the source of the inspiration that flows through them - though they may inspire others. An artist is a medium, too. If you struggle to express yourself creatively, it may well be helpful to think in these terms. The chances are that you're trying too hard. Before you even start, you've set yourself an unreasonable goal of creating a masterpiece, and when it doesn't work out quite the way you imagined it, you feel frustrated.

We speak of the creative flow for a reason. If instead of trying to force our artwork to conform to our vision of perfection, we allow the creative flow to take over and let our ego step aside, we will witness the magic that happens. The flames will dance around us. The dusty bones that we've gathered will begin to come to life.

When did you last venture into the wilds of your art studio, assemble your dusty collection of paints and breathe fresh life into them? To be truly creative is to connect with your wild side and let that untamed spirit flow through you, whether in the form of a painting, a poem, or a dance. Go on. See where your journey into the wilds takes you.

Part 3: The Shadow Self

I've found two stunning photographs, one of a Native American woman, the other of a wolf. Let's combine them and see what happens, and let's try another art medium while we're at it: coloured pencil on black paper.

I begin sketching very lightly using a dark colour and minimal pressure, so the resulting lines are only just visible on the black paper. Whenever you first set out with a pencil or a brush, I would suggest easing off the pressure, keeping your arm and wrist loose, allowing freshness and movement to permeate your marks. If at all possible, keep that looseness going throughout every stage of your work. The finishing touches may need a bit more precision, but try not to labour them even then.

The composition of this piece is inspred by the ancient Roman two-headed deity Janus, who looks simultaneously to the past and the future. Janus gives his name to January, which stands on the threshold of a new year yet looks back to the old. In this case, the twin heads are human and animal, woman and wolf, indicating our dual nature. We are humans, yet we are wild animals.

Roald Dahl captures this perfectly in 'Fantastic Mr Fox'. My partner Jason and I have watched Wes Anderson's animated film of this book more times than I can remember. The animal characters are so fully human, and yet they are 'wild animals'. When Mr Fox and his companions go on a brave rescue mission into the wilds, they encounter the lone wild wolf, who does not speak, or even approach them, yet fox and wolf raise paws in recognition of the bond between them. The wolf is the shadow self. Wild. Untameable.

In the same way, when we head out into the wilds on a creative mission, we may glimpse and connect with our wild shadow self, the Wolf Woman.

Folklore and mythology are riddled with tales of creatures that are half-human half-animal: unicorn, mermaid, centaur, minotaur, werewolf. In every case, they demonstrate the human's shadow self*, their wildness, which cannot be divorced from their human self, because it is part of them. If we or others attempt to lock away our wild shadow self, it will become self-destructive, frustrated, depressed, anxious, sometimes violent. This has a huge bearing on mental health.

If instead of attempting to cage the wild animal side of our nature, we acknowledge it, connect with it, run wild with it, we will become fully balanced human beings, nourished and refreshed by the wilderness, realising our creative potential.

Back to acrylics and palette knife. I'm going to use the 'smooshing' technique that you saw me using earlier to paint an atmospheric background, to lift the two portraits into the foreground by evoking an indistinct backdrop, which could be swirling mists, or clouds, or stars. Iridescent paints are most effective used on a black background.

I use the placing technique, too, to define the boundaries between the hazy background and sharply focussed foreground.

The background represents the wilderness, the vast and unknown landscape of our soul, which often seems hazy and indistinct, even intangible. But it is an invitation to explore, discover and dream.

Part 4: Don't Let Them Tame You

As I said earlier, it's always worth acting things out. In part 1, we set out into the wilds to gather dusty bones. In part 2, we breathed life into them through the creative flow. In part 3, we reconnected with our shadow self. It's time we danced in celebration of our wild, untameable selves!

For this piece, I'm going to start with a loose, dancing coloured pencil sketch, which will form the basis of a precise and intricate design.

Most of my artwork is inspired by dance on one level or another. In this case, I'm trying to evoke the spirit of freedom and euphoria that I feel when I dance.

As American dancer Isadora Duncan said, "You were wild once. Don't let them tame you".

Dance is a huge part of my life. I don't do steps. I just dance, as the spirit or the music moves me. So for the last part of my journey in the steps of the Wolf Woman, I headed back out into the wilds and did something I've always to do: I wild danced.

Coloured pencil shows up surprisingly well on black paper. Gradually I shift to lighter colours, finetuning some of the detail of the design, ready for the next stage. Stepping back from my work is crucial to seeing how well it's working as a whole.

When I'm happy with the overall composition, I take my scalpel and fit a new blade. I've been doing paper-cutting for more than twenty years. This is a Swann-Morton surgical blade. I hasten to add that it's non-sterile. For the record, I do not do brain surgery in my spare time. I begin cutting out the most crucial, detailed and intricate parts of the design, including the eyelash, the facial features and the fingers. This may be counterintuitive if you're new to paper-cutting, because it is the opposite to painting, where you begin with a wash of background colour and end with the dot of highlight in the eye, for example.

Working with a surgical blade gives you enormous scope for detail, but it can also lead to designs that are detail-obsessed and rigidly pedantic. This is why I start with a loose sketch, sometimes almost a scribble, to balance the precision of the surgical blade with free-flowing lines.

At intervals, I hold the paper-cut up to a light source, which throws everything into sharp silhouette and obscures the pencil marks.

Some of the paper strands I cut are no thicker than the pencil lines that informed them.

When it comes to cutting out sweeping curves, I move my whole body with the rhythm of the lines.

Like dancing, paper-cutting is an immersive, meditative, timeless activity. The more you cut away, the more the design emerges from the paper, rather like when a sculptor chips away at a stone block.

Not all my paper-cuts take the form of pure silhouette, but it is a fundamental principle of paper-cutting: positive versus negative. Silhouettes are powerful, because they are universal. They do not show the colour of skin, hair or eyes, and therefore people can more easily relate to the figures and engage imaginatively with them and their activities.

The silhouetted figures in my paper-cuts are often elongated to suggest how they long to reach out beyond the confines of their physical body or form. They express that longing for ultimate freedom and wildness, of melting into spirit. In dance, more than any other artform, I have felt reconnected to my own wildness.

Remember: You were wild once. Don't let them tame you.

I hope you've enjoyed these insights on my journey into the wilds of creativity, art and dance. I'd love to hear of your own journeys. If you enjoyed this film, please do leave a comment and share the video with your friends and fellow creatives. If you haven't already done so, please click 'subscribe' for free updates about upcoming films on my channel.


Visit Lois Cordelia's YouTube Channel

'Wolf Woman: a Journey through Art'

Artwork and #GoProArt Film by
Lois Cordelia, August 2020
www.LoisCordelia.com
@LoisCordelia @LoisCordeliaArtist

For Jason, with all my love. "Good luck out there!"

Inspired by 'Women Who Run with the Wolves:
Myths and Stories of the Wild Woman Archetype'
by Clarissa Pinkola Estés, Ph.D.

Created for 'Wild Women' event hosted by Nicole Schmidt
Mythos Storytelling www.mythosstorytelling.com
Mythos Podcast www.mythospodcast.com

_____________________________________________________________
* Lois has recently completed a series of illustrations for a new book, 'Dance Wise' by Stefan Freedman, which goes into a lot more detail about the 'Shadow Self' and its implications for mental health and healing. Stefan's book is due to be published later this Summer. Watch this space! :-)

We live in challenging times. A recent art-music-film collaboration between Ipswich-based duo Stefan Freedman (music and lyrics) and Lois Cordelia (artwork and film) takes inspiration from the visionary Bob Marley to bring us a reassuring message of hope and love. Land of No Today was launched in Ipswich on 8th February 2020 during a colourful and heartwarming celebration that also marked what would have been Bob Marley's 75th birthday (6th February).

A few months on, amid the global coronavirus pandemic and lockdown, the film's message seems more relevant than ever, and Stefan has generously released the film for public viewing online and encourages sharing far and wide.

DVDs of the film are also available for sale from Stefan Freedman.

Stefan and Lois previously (2016) collaborated on Malka, a film dedicated to refugee children, which has since travelled around the globe, being screened at more than a dozen international film festivals, touching the hearts of audiences of many cultures through the universal languages of music, song and visual art, and raising several thousand pounds for refugee support charities in the process.



Land of No Today tells the story of a feisty young teenager, Zina, surrounded by poverty and people who have lost hope. Marley's spirit shows Zina how one heart with a burning vision can inspire others. But can she navigate the stormy seas and turn things around?

Inspired by the visionary Bob Marley and his song One Love, the short film is a tonic for all who are physically or mentally adrift. Told in music with humour and vibrant artwork, its message is that we are not alone. Together, we can overcome storms and find our way to shore. The narrative entrusts the young generation to end oppression and build a new society.



Film Launch, February 2020

The film was launched at the Quaker Meeting House in Ipswich on Saturday 8th February 2020 amid a joyful 75th birthday celebration for the legendary Bob Marley, with half of all proceeds going to Suffolk Refugee Support (linking back once again to Malka).

Bob Marley is known and loved all over the world as a pioneer of reggae music and Jamaican culture, but more than this, he has become an enduring symbol of the power of peace and love in overcoming struggles, and as such became Stefan's inspiration for Land of No Today.

The film launch featured a delicious Caribbean buffet (a work of art in itself) and live music on balafon and kore, alongside the Ipswich Reggae Choir, whose vibrant songs infused the celebration with a party atmosphere that soon inspired everyone to get up and dance. Artist Lois Cordelia speed-painted live during the singing and dancing, creating an energetic portrait of Bob Marley, which then sold by silent auction to raise funds for Suffolk Refugee Support.

The combination of ticket sales, silent art auction and associated Facebook fundraising link raised at least £265 for Suffolk Refugee Support.

Stefan and Lois would like to thank everyone who contributed to this heartwarming event by offering their time, expertise, equipment, culinary skills, ingredients, transport, photography (below photo credits: Tony Mounter and Chris Coupe - used with kind permission), and dancing spirit!

Please consider supporting the film's creator Stefan Freedman by purchasing a copy of the DVD of Land of No Today. DVDs of the film are available for sale directly from Stefan Freedman.

LAND OF NO TODAY

Directed by Stefan Freedman

This short film arises from the burning passion of 'One Love',
and the urgent relevance of its message today.

Enormous credit goes to
Bob Marley and The Wailers
for many key ideas, words and imagery.

Music and lyrics written and arranged by Stefan Freedman
- inspired by Bob Marley and The Wailers

Music Production

Lead vocals: Zina

Backing vocals and jabber: Stefan Freedman

Tenor sax: Adrian Lush

Bass guitar, lead guitar (wah-wah), keyboards and rhythm guitar: Stefan Freedman

Drums: Jamie Robertson

Studio sound engineering: Jake Aylward

Music editing, mixing and percussion FX: Stefan Freedman and Jake Aylward

Editorial Consultant: Stuart Buckman

Artwork, film and animation: Lois Cordelia
www.LoisCordelia.com

Visual production, camerawork and film editing: Lois Cordelia

With special thanks to Gem (Gemstone Melodies)

If you've walked through Sailmakers Shopping Centre in Ipswich lately, chances are you'll have seen local artist Lois Cordelia painting live at her easel, as part of the Home of Suffolk Arts and Crafts (HOSAAC) monthly art and craft market. Lois joined HOSAAC in Autumn 2019 and has been an active member ever since, taking part in their public events in Ipswich and elsewhere at every opportunity. The first piece she painted live at Sailmakers on 5th October 2019, a portrait of a jaguar, was sold before the acrylic paint had even dried.


Above: Lois beside her 99 minute painting of the interior of Sailmakers Shopping Centre, which includes some of her fellow HOSAAC stallholders. January 2020. Photo credit: ChristineAnn Kidd, used with kind permission.

In January 2020, Alistair Syme (Ceidiog) interviewed Lois about her upcoming events at Sailmakers, her involvement in HOSAAC, and an exciting new feature that is allowing her to record an intimate "artist's eye view" of her creative process: a Go-Pro camera. Most people use Go-Pro cameras to film energetic, high-speed activities such as mountain-biking, sky-diving or swimming, so why not speed-painting? Alistair's full interview is reproduced here, with kind permission:

----------------------------------------------------------------------------------------------------------

An Ipswich artist just might be the quickest draw in the east and she’ll be demonstrating her skill – and recording it on real-time video - at a busy shopping centre in the town this week.

Lois Cordelia specialises in speed painting, capturing a subject in double-quick time and she’ll be bringing her talents to Sailmakers Shopping Centre as part of the mall’s latest three-day craft fair which starts on Thursday (January 23).

The event is being staged by local group Home of Suffolk Arts and Crafts and Lois, 37, has now added a new tool to her quick draw skills, a Go-Pro camera strapped to her chest.


Photo credit: Lee Markwell 2020 - used with kind permission
 

It captures not just the painting but also the artist’s interaction with her subject and the audience with Lois definitely not a fan of the alone-in-a-garret style of working.

The addition of the Go-Pro, which she’ll be wearing this week, is a new innovation after she was presented with it by partner Jason Curtis for Christmas and she said: “I do various forms of art from paper-cutting using a surgical scalpel to mixed-media sculpture and video as well as painting but I’m doing more and more speed-paining now and using the Go-Pro gives me a way to record the process.

“I started painting ‘live’ about ten years ago and enjoy working in public and like to engage with people and chat to them about what I’m doing – I find it very stimulating and I definitely don’t want them to be quiet just because I’m at work.

“I see myself as a community artist and feel like I’m giving something to people when they see me working there because it’s not something they often see ‘live’.”


Photo credit: Lee Markwell 2020 - used with kind permission
 

Sailmakers Shopping Centre Manager Mike Sorhaindo said: “We’ve formed a really good relationship with the craft group and Lois certainly brings something new and exciting to our events at the Centre.

“She’s a very talented professional artist and it’s fascinating to see her at work and to be able to ask her questions about what she’s doing and maybe even be the subject of one of her quick-fire paintings as well.”

Lois’s artistic talents were apparent at an early age and she was producing recognisable portraits by the age of seven before developing her skills at Northgate High School in Ipswich where she was inspired by art teacher Dan Emery who told her: “Lois, you need to do something more sophisticated and use more colour.”

She actually studied Arabic at Edinburgh University, inspired by the beauty of the script, but has been a professional artist since graduating and has worked across East Anglia including on major works of public art like the Elmer Trail sculptures for Ipswich’s St Elizabeth Hospice.


Above: Lois with one of her three Elmer elephant designs for Elmer's Big Parade Suffolk 2019
 

Photo credit: Lee Markwell 2020 - used with kind permission

Elsewhere her public art has been displayed from Edinburgh to Jersey and she has also worked part-time for 20 years as an assistant in the London studio of children's author-illustrator Jan Pienkowski including contributing illustrations to his best-selling Meg and Mog books.

She joined HOSAAC recently and as well as taking part in their events she works with them as an administrator and has particularly enjoyed reaching out to the public at Sailmakers.

She said: “I love to share my art with them and they tell me anecdotes while I’m painting and I enjoy working from life at the shopping centre and am always keen to have volunteers sit for me there.

“It’s brilliant that Sailmakers can showcase the work of the members of HOSAAC. There’s brilliant camaraderie between us and the staff there and manager Mike Sorhaindo have been very supportive.

“The actual space we occupy is so lovely because it’s so well lit and I can display my paintings so that shoppers can see them as they go and down the escalators.”


Photo credit: Lee Markwell 2020 - used with kind permission
 

For more on Lois go to https://www.loiscordelia.com/ and for more on what’s happening at Sailmakers Shopping Centre go to www.sailmakersshopping.co.uk and to https://www.facebook.com/SailmakersShopping

What links Lions, Lilies and the Mona Lisa?

2019 marks 500 years since the death of Leonardo da Vinci, best known as an artist, though equally as accomplished in the sciences, music, mathematics, engineering, anatomy, astronomy, and so on. Remarkably, Leonardo created at least two animatronic robotic lions in the early 1500s, which moved, walked, and opened up to reveal lilies inside.

The King of France was so impressed by Leonardo’s genius, he invited him to his court. Leonardo arrived by mule, bringing many paintings, including the Mona Lisa, which has remained in France ever since.

Lois's design references this episode and many more from Leonardo's life, illustrating scenes from his childhood, his love of birds, flying and nature, as well as some of his extraordinary inventions, which include the helicopter, parachute, bicycle, and countless others. The design also incorporates some hidden features and puzzles inspired by aspects of Leonardo da Vinci's life.


N.B. The full design cannot be revealed until the trail goes live on 10th August - watch this space! :-)

Below: Lois's speed-painterly re-interpretation of the most famous painting in the world, the Mona Lisa

"Let [yourself] be inspired by history and his works, Lois’s artistic interpretation and inventiveness in her painting of the lion and join in the fun by solving the secret puzzles incorporated into the design. We would love to see [you] participate in this celebration, come visit us, and support the worthy causes and the businesses of Windsor in making this a success."

Leo-nardo is Lois's 21st public art commission in 3 years. Leonardo da Vinci is also one of Lois's greatest heroes. She quotes his timeless wisdom about painting, proportions and art in almost every workshop she teaches: "Art is never finished. It is only abandoned."

Below: Lois's two miniature lion mascots Leonardo and Leopold look forward to watching Lois bring Leo-nardo to life. The heraldic lion pendant is exquisitely handmade by Of Cats and Wren Designs  - with many thanks :-)  🐾🦁🎨

Follow: @LionsofWindsor @CosmeticDoctorClinic @LoisCordelia #Leonardo500

A herd of 17 horses will gallop into Newmarket, Suffolk, from 8th July until 22nd September 2019, forming Saddle Up, a unique art trail of equine-themed artworks. The Animal Health Trust (AHT) is joining with local and national artists, local businesses, organisations and community groups to present this inspiring free public event on the streets of Newmarket this Summer.

Each horse-themed piece has been created specially for the Saddle Up trail, designed by an artist or artists responding to the brief: "What does the word 'horse' mean to you?" Artists have interpreted the theme of 'horse' in many different and creative ways, hence the trail includes a wide range of sculptures, paintings and textile artworks, which also vary greatly in scale.

Saddle Up a Centaur

Local Suffolk-based artist Lois Cordelia is very excited to have been commissioned to create one of the 17 pieces for the Saddle Up trail. Her mixed media sculpture will represent a mythical half-horse, half-human centaur. The piece will be named by a local school - Lois is intrigued to hear what their choice of name will be! Her idea is to sculpt a female centaur queen, bringing a timeless mythical figure to life, combining the powerful energy of the horse and its legendary associations with the theme of female empowerment. The story of the centaur may originate in ancient tribes who were so skilled in horse-back archery that they were thought to be one with their horse counterparts. Lois's partner Jason is an archer and has given Lois some coaching in archery, which helps her to replicate an authentic archery pose in her artwork.

Live Sculpting Demonstration at Tindalls, 18th - 19th June

Lois is seen here (below) creating the wire 'skeleton' for her centaur sculpture, in preparation for a special two day live sculpting demonstration at Tindalls Art (50-52 High Street, Newmarket): drop by at the art store on Wednesday 18th or Thursday 19th June (10.00 am - 4.00 pm) to watch work in progress on the sculpture, meet the artist, ask questions and be inspired.

Lois Cordelia will demonstrate her mixed-media sculpting techniques, combining wire, Mod-roc (plaster of Paris modelling rock), polymer clay (Fimo), acrylic paint, found objects, foil, and other materials. Her sculptures evoke dramatic movement and dance, complemented by exquisitely carved details of facial features and hand gestures. Lois welcomes an audience while she works, so don't be shy - come along and watch, ask questions, and be inspired to have a go yourself! Lois's mixed-media sculptures are often inspired by fantastical and mythological themes. Working from imagination, she incorporates a myriad of unexpected items into her miniature figurines, allowing them to evolve and take on a life of their own.

Lois frequently teaches art workshops and performs live art demonstrations at all four branches of Tindalls (Newmarket, Cambridge, Colchester and Ely), who are one of the leading stockists of art materials in East Anglia. When she was first approached by the Animal Health Trust to design a sculpture for the Saddle Up trail, she immediately had in mind to collaborate closely with Tindalls, creating most of the sculpture live in-store at the Newmarket branch. She was thrilled when Tindalls enthusiastically agreed to host her live sculpting demonstration. Her finished piece will be on prominent display in the window of the art shop for the duration of the trail.



Tindalls will also be a stockist of the Saddle Up trail maps, so pop in and be inspired to engage with your creative side on many levels!

Discover the location of each of the 17 horse-themed artworks in Newmarket by following the trail map. From Monday 8 July 2019, which marks the official start of the trail, you will be able to download the map from the Saddle Up art trail page or pick up a copy from Tindalls (50-52 High Street, Newmarket) or Palace House Museum.

Adjacent to each artwork, trail-visitors will find a letter of the alphabet - collect all the letters, unscramble them to find a phrase, and send it to the AHT to enter the Saddle Up prize draw!

Public art trails have become increasingly and deservedly popular in recent years. They benefit artists at all stages of their careers, they provide a fun, free, interactive arts experience for families, children and individuals of all ages who enjoy the trails, they promote walking and getting outside in the fresh air, they boost local businesses, community groups and organisations who sponsor each piece for the trail, they bring many thousands of visitors (often from hundreds or thousands of miles away) to the town or city and nurture the local economy, and last but by no means least they raise much needed funds and awareness for the charity concerned, in this case, the Animal Health Trust.

Follow the Animal Health Trust via Twitter: @ahtofficial

About Lois Cordelia

Lois Cordelia is a versatile freelance artist based at her home studio in Ipswich, Suffolk, with a strong emphasis on community engagement through her art practices. She interacts live with the public while painting, sculpting, paper-cutting, and also especially when creating designs for public art trails. She is a popular tutor and speaker, leading creative workshops for a variety of age groups. Her artwork has appeared in numerous art trails all over the British Isles.

Lois's centaur sculpture for Saddle Up will be her 19th public art trail piece to date (her first being a pig called Pig-geswyk for Pigs Gone Wild 2016, Ipswich). This Summer, besides her design for the Saddle Up trail, you can see more of her work as part of Elmer's Big Parade Suffolk (Ipswich), Oor Wullie's Big Bucket Trail (Edinburgh), and Go Wild Gorillas (Jersey, Channel Islands).

Below: Lois with some of her mixed-media sculptures in progress at previous live demonstrations at Tindalls stores.

logo_art trail_no sponsor
 

About the Animal Health Trust

The AHT is a Newmarket based charity that exists to enable horses, dogs and cats around the world to live happier and healthier lives. The AHT employs over 240 vets, scientists and support staff who work side by side to develop new diagnostic tests, treatments, vaccines, new technology and knowledge for the better diagnosis, prevention and cure of disease. The charity also provides a clinical referral service for veterinary surgeons in practice, promotes postgraduate education and communicates its findings to others to benefit animals all around the world. The AHT receives no government funding and all the money raised from its veterinary clinics and fundraising events such as the Saddle Up Art Trail is reinvested into the Trust. The charity relies on its generous donors, sponsors and supporters to fund its vital work. The AHT is proudly supported by its President, HRH The Princess Royal and its Trustees.

Follow the Animal Health Trust via Twitter: @ahtofficial

The first ever nation-wide public art trail is coming to the streets of Scotland's cities this Summer: Oor Wullie's Big Bucket Trail will run for 11 weeks from 17th June until 30th August 2019 across Glasgow, Edinburgh, Dundee, Aberdeen and Inverness, raising vital funds for Scotland's children's hospital charities. The trail is a Wild in Art event, and would not be possible without the support of DC Thomson Media.

The Oor Wullie comic strip first appeared in the DC Thomson newspaper The Sunday Post more than 80 years ago (1936), with drawings by cartoonist Dudley D. Watkins, featuring a playful, mischievous, but overall good natured character named Wullie Russell, with spiky hair and dungarees. Wullie's most famous accessory is his bucket, hence Oor Wullie's Big Bucket Trail depicts him sitting astride his upturned bucket, laughing. In a 2004 survey, Oor Wullie was voted 'Scotland's favourite son', beating William Wallace, Sean Connery and Rabbie Burns in the top four! Wullie is evidently a much loved and enduring part of Scottish heritage.

Ipswich artist, speed-painter and Wild in Art veteran Lois Cordelia is very excited to have been commissioned to paint two of the Oor Wullie statues for Oor Wullie's Big Bucket Trail. She will travel to Edinburgh later this month (April 2019) to bring her two designs to life, both of which feature her characteristic silhouette illustrations. Lois studied Arabic at the University of Edinburgh from 2002 - 2006 and held several of her earliest art exhibitions in Scotland's capital, so she is doubly proud to be involved in the trail and looking forward to returning to Edinburgh. She has called her two designs: Dance in the Rain and Wullie Gone Wild. Both pieces will ultimately be auctioned in support of the life-affirming work of Edinburgh Children's Hospital Charity (ECHC).

44805 DCT OW Big Bucket Artists Submission Pack_Final.indd
Above: A tiny teaser of Dance in the Rain  - N.B. Lois cannot reveal the full design until the trail goes live on 17th June. Watch this space!

Dance in the Rain

Directly inspired by the playful, laughing character of Wullie sitting on his bucket, combined with Lois's memories of Edinburgh weather, this design imagines Wullie tipping a bucket full of paint over his own blank canvas, reminding us all to laugh, dance and surround ourselves with colour and beauty. As the saying goes: Life is not about waiting for the storm to pass, but about learning to dance in the rain. Always carry a bucket full of paint to throw at the blank canvas of life! Lois is sure that Wullie would approve.

Above: Ipswich artist Lois Cordelia will travel to Edinburgh (where she studied Arabic at the University of Edinburgh) to bring her two designs to life later this month (April 2019).

Wullie Gone Wild

A pan-Scotland art trail would be incomplete without a celebration of Scotland's rich heritage of wildlife, hence Wullie Gone Wild. This title is also a homage to creative event producers Wild in Art, whose sophisticated public art trails have inspired and benefited millions of people of all walks of life over the last decade. Wild in Art will always be wild at heart. Exploring the rich biodiversity of Scotland's beautiful and distinctive fauna and flora, Wullie takes a walk on the wild side. Recent re-wilding conservation programmes have successfully reintroduced species such as the beaver and wolf, and there are plans afoot to bring back the lynx to Scotland. How many species will you spot in this design?

Wullie Gone Wild is generously sponsored by Standard Life Aberdeen. Lois is very grateful for their support for Oor Wullie's Big Bucket Trail. Standard Life Aberdeen are proud investors for a better future: "We do it to make a difference – to the lives of our clients and customers, our employees and our shareholders". The firm's involvement in Scotland's first nation-wide public art trail confirms their commitment to making a difference in the lives of countless families, trail visitors, tourists, local businesses, and children's hospital charities.

Below: a tiny teaser of Wullie Gone Wild - N.B. Lois cannot reveal the full design until the trail goes live on 17th June. Watch this space!

44805 DCT OW Big Bucket Artists Submission Pack_Final.indd


Below: Special thanks to Adele for the loan of these Oor Wullie annuals! :-)

44805 DCT OW Big Bucket Artists Submission Pack_Final.indd



Wild in Art

Creative event producers Wild in Art (founded 2008) have successfully facilitated the raising of more than £10 million for charitable causes to date, and made art accessible and engaging for millions of people.

The medieval church of St Clement's near the Waterfront in Ipswich, Suffolk, is slowly being transformed into a new arts and culture hub: the Ipswich Arts Centre will become a dynamic venue for music, theatre, dance, exhibitions, events and more. St Clement's Church remained empty and disused for thirty years prior to the start of its transformation, driven by a group of dedicated volunteers.

As part of this process, an exciting history project (made possible through the Heritage Lottery Fund) has begun to capture the memories and little known stories associated with the church and its surroundings. Inspired by three women who shared their recollections of the church during the 2017 Heritage Open Day, the Ipswich Arts Centre Memories Project has captured a wealth of personal memories and narratives from members of the public since May 2018. The outcomes of the Memories Project will be displayed in an exhibition at the Waterfront Building at the University of Suffolk on Wednesday 27th and Thursday 28th February 2019.

Local Ipswich artist and speed-painter Lois Cordelia was asked to create a big, bold, brightly-coloured contemporary painting of St Clement's Church, to feature as part of the Memories Project exhibition. Hanging alongside a display of memories of the past, this new painting of the church would evoke the glowing future of the Ipswich Arts Centre.

Lois made the most of the early Spring sunshine on the afternoon of Thursday 21st February to paint a picture of the church, setting up her easel in situ, and talking with many local residents and passers-by while she painted. Lois chose a blank black canvas as her starting point, to symbolise the church's reemergence out of obscurity. Appropriately, vibrant colours on a black background are reminiscent of a stained glass window. Metallic and iridescent paints also catch the light in unexpected ways as the viewer walks past.

Lois's finished painting of St Clement's Church will be 'unveiled' by the Mayor of Ipswich when she officially opens the Memories Project exhibition next week.

The free entry exhibition will be open to the public on Wednesday 27th and Thursday 28th February, 9.00 am - 8.00 pm. Official Opening by the Mayor of Ipswich: Wednesday 27th at 1.00 pm. Celebration Evening with Guest Speakers and live speedpainting demonstration: Thursday 28th 6.00 pm - 8.00 pm. All warmly welcome. Refreshments available.


Above: Lois Cordelia paints a colourful contemporary vision of the medieval St Clement's Church in Ipswich, February 2019.



For more information about the new Ipswich Arts Centre: please visit ipswichartscentre.org

For more information about the Memories Project, please contact Nicola via [email protected] or 07930019823

 

"Fascinating, astounding, haunting, very beautiful. An amazing venture for a great cause. A phrase that springs to mind: 'a modern Gesamtkunstwerk' of real beauty."
 

"I love this video. Through it I have felt the plight of refugees in a way that no amount of other media coverage could have done. Well done to all who have been involved in making it."
 

Stefan Freedman remarks: "The feedback from many people is passionate, nuanced and strongly affirming. My brother's (face-to-face) was the most surprising of all to me. He said that of all the creative projects over the years this one had gone furthest. Emotionally powerful and professionally impressive."

The development and future of Malka

Stefan Freedman was travelling on a train a few years ago when the idea for Malka first came to him. The music that began to flow together in his mind was originally inspired by a traditional Bulgarian folk tune. Stefan shaped his own lyrics to fit the music, evoking the words of a refugee mother to her young daughter, Malka, seeking to reassure her in the midst of unfamiliarity and confusion.
 

In Stefan's words:

"When Adrian [Lush] first urged me to record 'Malka' it was simply because he felt it was an exceptional song. We liked the idea of putting it on YouTube to share with friends. Once Lois started producing artwork, so captivating and emotive, I realised that the narrative needed exactly the right voice with an equal power. So delighted that my first choice vocalist, Sebastiana, was willing to come from Norwich to record with us.
"Malka seems to have a life of her own! ... The Malka video has the potential to serve in three ways. It touches people and creates empathy (even people like my brother who generally is not sympathetic with the refugee cause!). The artwork and music contain nuances, symbolism and many layers which provide an excellent stimulus for discussion. And as we've discovered and proven it can be the focus around which effective fundraising can be arranged." (- Stefan Freedman, May 2017)

Stefan is a teacher of traditional, sacred and circle dance, travelling worldwide to lead workshops and other events incorporating live music and displays. His dances use evocative music from all continents.
 

Thank You

Stefan and Lois wish to extend heartfelt thanks to everyone who has helped Malka along her journey, including all musicians, sound engineering and support, everyone who attended fundraising events and helped out with catering, promotion, press, radio and media coverage, ticket sales and facilities, those who have sold copies of Malka on DVD to help raise additional funds for refugee support, those who gave talks as representatives of the refugee support charities, those who assisted with transport and set-up, and everyone who bid in the silent auctions.

Special thanks go to Joanna Carrick of Red Rose Chain for hosting Malka's Ipswich launch in April 2017, Madeline Lees of the Angel Cafe in Diss, and Harford Community Centre in Norwich. Stefan and Lois are also extremely grateful to all of the judging panels who have selected Malka for screening as part of international film festivals around the globe and have thereby brought her message to touch the hearts of many more.

Music
The music for Malka features the distinctive voice of Czech singer Sebastiana Black (based in Norwich), accompanied by a haunting mix of sounds created by various ancient musical instruments including the sackbut, shawm, bass viol and bowed psaltery. Musicians Stefan Freedman, Adrian Lush and Andy Mapplebeck are all Ipswich-based.

Below: Czech singer Sebastiana Black (lead vocals)

Below: Left to right: Andy Mapplebeck, Stefan Freedman, Adrian Lush, Lois Cordelia, January 2017. Photo credit: Tony Mounter.

Above: Left to right: Andy Mapplebeck, Stefan Freedman. Photo credit: Tony Mounter.

Above: Stefan Freedman, Adrian Lush. Photo credit: Tony Mounter.

Above: Stefan Freedman. Photo credit: Tony Mounter.

Above:  Left to right: Andy Mapplebeck, Stefan Freedman, Adrian Lush, Lois Cordelia, January 2017. Photo credit: Tony Mounter.

Lyrics

Malka

(dedicated to refugee children)
 

Storm winds whistle in the sky
Birds cry, flying helter-skelter
Malka, walk a little more
Though your feet are sore
While there is still some light to guide us
Sorrel soothes our tired feet
Lovage we can eat
Look out for somewhere they won't find us

"When will we be going home?"
Malka, our future is unknown
Each day we'll be moving on
Till the danger's gone
We're following a road to freedom
Sing once more your favourite song
Keep your spirit strong
Hold all your dreams until you need them

"When can I play with my friends?"
Malka, so many paths were taken
Strangers, unfamiliar words
Like migrating birds
That vanish over moonlit mountains
Some day in another land
We'll dance hand in hand
We'll wash our feet in sparkling fountains

Storm winds whistle in the sky
Birds cry, flying helter-skelter
Malka, walk a little more
Though your feet are sore
Tomorrow we'll have better weather
Soon we'll stop and build a fire
Burning with desire
That one day there'll be peace forever
© Stefan Freedman


Artwork
Ipswich-based artist Lois Cordelia began creating the artwork for Malka in May 2016. Over the following 6 months, she assembled a series of more than 60 visuals, inspired by Stefan's lyrics. Lois's mixed media illustrations combine painting, drawing, paper-cutting, brushpen, photography and digital effects, layered together to heighten the emotional intensity of each image.

One of the challenges that Lois faced was how to convey both the traumas and the aspirations of the young girl, Malka, in ways that touched people's emotions without being unbearably painful to watch. The film hints at the trials and hardships that Malka and her mother endure, but also plants seeds of hope for a brighter future.

Lois wanted her pictures to have a universal appeal, hence her depictions of Malka embrace various ages and different nationalities. She also emphasises the value of using creative activities as therapy for refugee children, suggesting how the young girl could express her memories of trauma through her own paintings. Remembering how to paint as a child was an important part of Lois's journey following in the footsteps of Malka.

Below: Circle Dancing, led by Stefan Freedman



Below: Zaramo in concert: Birgitta Campbell fiddle, Sebastiana Black vocals, John Firmin accordion, Kim Redshaw djembe. Norwich, March 2018.

Below: Zaramo in concert, with Stefan Freedman


Below: Lois Cordelia (Malka visual artist), with some of the artwork for the film, and two fresh paintings completed during the Norwich fundraiser.


Below: The mother and child painting chosen by the winner of the silent art auction.


Below: More live acoustic music by Salman Toheed of the Blasian band


Below: Zaramo in concert: Birgitta Campbell fiddle, John Firmin accordion, Kim Redshaw djembe, Sebastiana Black vocals. Norwich, March 2018.

Local Ipswich artist, speed-painter and Wild in Art veteran, Lois Cordelia is currently bringing to life one of her three Elmer designs called Hope, a celebration of family bonds and togetherness, commissioned by and generously sponsored by Suffolk Fostering and Adoption.

Celebrating the life-changing influence of fostering and adoption to nurture a child's development through hope, this Elmer design depicts families in all shapes and sizes, connected via the branches of a giant family 'tree'. Elephants, too, are well known for their complex social lives, including their capacity to adopt an orphaned or abandoned calf. Elmer reminds us in particular to celebrate our individuality and be proud of who we are: every child should have the hope, security and love they need to manifest their fullest potential.


Above and below:
A miniature cuddly toy Elmer adopts five new friends: the charming hand-knitted collection of dolls that serve as ambassadors for the vital work of Suffolk Fostering and Adoption , which also feature in silhouetted form on Lois's Elmer design Hope. N.B. Work in progress - the full design cannot be revealed publicly until the trail launches in June 2019!


The same five dolls sit comfortably while watching the early stages of Elmer painting in progress: N.B. Work in progress - the full design cannot be revealed publicly until the trail launches in June 2019!





Lois is currently busy painting two Elmer designs (E=MC2 and Hope) for Elmer's Big Parade Suffolk, working live at Endeavour House, Ipswich, this week (Tuesday 22nd until Friday 25th January 2019, 9.00 am - 5.00 pm). Visitors are welcome! (Please check in at reception and let them know you've come to visit Elmers in progress.)




Lois's previously painted one of the Pigs ("Pig-geswyk") for Pigs Gone Wild 2016, as well as one of the early pre-launch Elmer statues ("Imagination Can Take You Anywhere").




Above: Ipswich artist Lois Cordelia beside her first Elmer design "Imagination Can Take You Anywhere"

Three Elmer statues including Elmer the Patchwork Elephant (painted by Michelle Turton), "Astronaut" (designed and painted by Mik Richardson) and "Imagination can take you anywhere" (by Lois Cordelia) were originally unveiled on 25th October 2017 during St Elizabeth Hospice's official Ipswich "Big Reveal" event. The Ipswich Elmer trail is the much anticipated follow-on from Pigs Gone Wild 2016 and will continue to raise vital funds for St Elizabeth Hospice. 

Below: The official unveiling at Ipswich Town Hall on 25th October 2017.





Mik Richardson's "Astronaut" and Lois Cordelia's "Imagination can take you anywhere"

Local Ipswich artist, speed-painter and Wild in Art veteran, Lois Cordelia is currently bringing to life one of her three Elmer designs called E=MC2 (Elmer = Multi-Coloured Squares), inspired by one of her heroes: Albert Einstein. E=MC2 celebrates creativity and imagination and is generously sponsored by the University of Suffolk.

"Elmer = Multi-Coloured Squares" is no doubt a useful way of introducing young Elmer fans to Einstein’s iconic equation: Energy = Mass x Constant (Speed of Light) Squared. But Elmer, like Einstein, reminds us that imagination and creativity are just as valuable as scientific knowledge, maybe more so. Question everything. Be playful. Think sideways, diagonally, and in spirals, rather than just in straight logical lines, because the components of life do not fit into neat square boxes. A beautiful creative mind can influence the world just as powerfully as a strong gravitational force can warp the dimensions of the universe.


Above: Work in progress on a portrait of Albert Einstein. Photo credit: University of Suffolk.



N.B. Work in progress - the full design cannot be revealed publicly until the trail launches in June 2019!

(Above and below)
Appropriately, the force of gravity assists in the painting! Lois deliberately allows the paints to run, dribble and intermingle, and so the design partly paints itself, re-imagining the boundaries of Elmer's grid in the form of a 'messy', painterly patchwork. N.B. Work in progress - the full design cannot be revealed publicly until the trail launches in June 2019!


Lois is currently busy painting two Elmer designs (E=MC2 and Hope) for Elmer's Big Parade Suffolk, working live at Endeavour House, Ipswich, this week (Tuesday 22nd until Friday 25th January 2019, 9.00 am - 5.00 pm). Visitors are welcome! (Please check in at reception and let them know you've come to visit Elmers in progress.)




Lois's previously painted one of the Pigs ("Pig-geswyk") for Pigs Gone Wild 2016, as well as one of the early pre-launch Elmer statues ("Imagination Can Take You Anywhere").




Above: Ipswich artist Lois Cordelia beside her first Elmer design "Imagination Can Take You Anywhere"

Three Elmer statues including Elmer the Patchwork Elephant (painted by Michelle Turton), "Astronaut" (designed and painted by Mik Richardson) and "Imagination can take you anywhere" (by Lois Cordelia) were originally unveiled on 25th October 2017 during St Elizabeth Hospice's official Ipswich "Big Reveal" event. The Ipswich Elmer trail is the much anticipated follow-on from Pigs Gone Wild 2016 and will continue to raise vital funds for St Elizabeth Hospice. 

Below: The official unveiling at Ipswich Town Hall on 25th October 2017.





Mik Richardson's "Astronaut" and Lois Cordelia's "Imagination can take you anywhere"

Above: a small part of Lois's design, 'Goldie'. N.B. Lois cannot reveal the full design publicly until the trail goes live on 12th September!

Goldie
Sponsored by Golding Vision

Kent is known as the 'Garden of England'. Lois's design Goldie is inspired by her love of painting landscapes and garden scenes using gold, shimmering and iridescent paints to evoke the beauty of every season. Goldie is generously (and appropriately) sponsored by Golding Vision, the community development arm of Kent housing association, Golding Homes, who suggested the name Goldie, as an affectionate pet name for the Snowdog.

The saying goes, a dog (even a Snowdog) is not just for Christmas, but loyally accompanies our footsteps throughout the year. A dog can be your best friend but needs to be loved and cherished. Walking is a great way to show your love, not just for your dog but for yourself, too, and what better way to witness the beauty of Nature changing throughout the seasons than to head outside!

What is a Snowdog?

Raymond Briggs' much beloved children's book The Snowman is celebrating its 40th anniversary this year. Its television adaptation first appeared in 1982. This film is powerful and haunting because it is wordless. For this reason, it makes sense that the 2012 sequel The Snowman and the Snowdog features a dog, the Snowdog, because dogs communicate so effectively without words - as do public art trails. These days, people rarely visit galleries or museums to see art – instead, art springs up on every street corner.

About Lois Cordelia:

At one end of the scale, Lois is a speed-painter with a big brush, sweeping strokes, lots of energy and bold colours, creating portraits, wildlife art, landscapes and townscapes. She loves big canvases – especially three-dimensional ones, like giant Snowdogs! At the other end of the scale, she cuts intricate designs out of paper, using a surgical scalpel, and sculpts detailed miniature figurines from imagination.

Lois remarks: "I'm happiest working live in public, especially in the company of other artists. There is a completely different dynamic when creating live, talking with people while I paint, absorbing ideas and inspiration."

This year, you can see Lois's work as part of the following public art trails: Hoodwinked 2018 (Nottingham), Let's Go Quackers (Ironbridge and Telford), Minerva's Owls of Bath (Bath), Bee in the City (Manchester), Bangers and Cash (Sheffield to Monte Carlo art rally), and Snowdogs Discover Ashford (Ashford).

Snowdogs Discover Ashford is a free public art trail coming to Ashford, Kent, this Autumn, featuring 35 giant Snowdog statues, each one hand-painted by an artist. The trail runs from 12^th September until 18^th November 2018, and is a Wild in Art event, brought to you by Ashford Borough Council and Pilgrims Hospices.


Above: a small part of Loi

s's design, along with Snowdog and wardog mascots :-) N.B. Lois cannot reveal the full design publicly until the trail goes live on 12th September!

Ipswich-based artist and speed-painter Lois Cordelia was commissioned to paint two of the 35 giant Snowdogs for the trail, and travelled to Ashford, Kent, in July to bring her designs to life during a three day public art demonstration at County Square shopping centre. One of her two designs is called Lest We Forget the War Dogs (1918-2018).


Lest We Forget the War Dogs (1918-2018)
Sponsored by Ashford Borough Council

With so many events this year commemorating the 100th anniversary of the end of the First World War (1918), it is nevertheless easy to forget the 20,000 brave war dogs who were trained in dangerous front line duties, bringing first aid to the wounded, alerting soldiers to enemies, leaping across trenches, carrying messages between outposts, pulling machinery and equipment, and boosting morale among the troops. Some wore gas masks and had food, water and medical supplies strapped to them. Some became decorated with war medals. Lois's design Lest We Forget the War Dogs (1918-2018) is especially inspired by a quotation from a 1916 newspaper, which observes: "A watchdog never barks; at the most he will use a low growl to indicate the presence or approach of a hostile force. More often than not the mere pricking of the ears or the attitude of expectancy is sufficient to put his master on his guard."



Lois remarks: "I've never had dogs of my own, though have often looked after other people's and witnessed their loyal devotion. Many of the dogs of WW1 were beloved family pets, who were sent away to be trained for the war effort. In researching war dogs, I was deeply moved by the stories and anecdotes I found, but most of all by photographs of the dogs, which brought the stories vividly to life. My design is based on a few of these references. I hope it will touch many hearts and remind people of how much we owe to the war dogs."

Lois adds: "Where else can you walk through a town centre and find a piece of history as startling as the WWI tank in the centre of Ashford? It seems especially meaningful and poignant in this centenary year, and fits with the commemorative theme of Lest We Forget the War Dogs (1918-2018)."



Ashford Memorial Gardens commemorate both WW1 and WW2.



The design is generously sponsored by Ashford Borough Council and will be appropriately placed in Ashford Memorial Gardens for the duration of the trail. It will still be there on Armistice Day 2018.

What is a Snowdog?

Raymond Briggs' much beloved children's book The Snowman is celebrating its 40th anniversary this year. Its television adaptation first appeared in 1982. This film is powerful and haunting because it is wordless. For this reason, it makes sense that the 2012 sequel The Snowman and the Snowdog features a dog, the Snowdog, because dogs communicate so effectively without words - as do public art trails. These days, people rarely visit galleries or museums to see art – instead, art springs up on every street corner.

About Lois Cordelia:

At one end of the scale, Lois is a speed-painter with a big brush, sweeping strokes, lots of energy and bold colours, creating portraits, wildlife art, landscapes and townscapes. She loves big canvases – especially three-dimensional ones, like giant Snowdogs! At the other end of the scale, she cuts intricate designs out of paper, using a surgical scalpel, and sculpts detailed miniature figurines from imagination.

Lois remarks: "I'm happiest working live in public, especially in the company of other artists. There is a completely different dynamic when creating live, talking with people while I paint, absorbing ideas and inspiration."

This year, you can see Lois's work as part of the following public art trails: Hoodwinked 2018 (Nottingham), Let's Go Quackers (Ironbridge and Telford), Minerva's Owls of Bath (Bath), Bee in the City (Manchester), Bangers and Cash (Sheffield to Monte Carlo art rally), and Snowdogs Discover Ashford (Ashford).

"Fascinating, astounding, haunting, very beautiful. An amazing venture for a great cause. A phrase that springs to mind: 'a modern Gesamtkunstwerk' of real beauty."
 

"I love this video. Through it I have felt the plight of refugees in a way that no amount of other media coverage could have done. Well done to all who have been involved in making it."
 

Stefan Freedman remarks: "The feedback from many people is passionate, nuanced and strongly affirming. My brother's (face-to-face) was the most surprising of all to me. He said that of all the creative projects over the years this one had gone furthest. Emotionally powerful and professionally impressive."

The development and future of Malka

Stefan Freedman was travelling on a train a few years ago when the idea for Malka first came to him. The music that began to flow together in his mind was originally inspired by a traditional Bulgarian folk tune. Stefan shaped his own lyrics to fit the music, evoking the words of a refugee mother to her young daughter, Malka, seeking to reassure her in the midst of unfamiliarity and confusion.
 

In Stefan's words:

"When Adrian [Lush] first urged me to record 'Malka' it was simply because he felt it was an exceptional song. We liked the idea of putting it on YouTube to share with friends. Once Lois started producing artwork, so captivating and emotive, I realised that the narrative needed exactly the right voice with an equal power. So delighted that my first choice vocalist, Sebastiana, was willing to come from Norwich to record with us.
"Malka seems to have a life of her own! ... The Malka video has the potential to serve in three ways. It touches people and creates empathy (even people like my brother who generally is not sympathetic with the refugee cause!). The artwork and music contain nuances, symbolism and many layers which provide an excellent stimulus for discussion. And as we've discovered and proven it can be the focus around which effective fundraising can be arranged." (- Stefan Freedman, May 2017)

Stefan is a teacher of traditional, sacred and circle dance, travelling worldwide to lead workshops and other events incorporating live music and displays. His dances use evocative music from all continents.
 

Thank You

Stefan and Lois wish to extend heartfelt thanks to everyone who has helped Malka along her journey, including all musicians, sound engineering and support, everyone who attended fundraising events and helped out with catering, promotion, press, radio and media coverage, ticket sales and facilities, those who have sold copies of Malka on DVD to help raise additional funds for refugee support, those who gave talks as representatives of the refugee support charities, those who assisted with transport and set-up, and everyone who bid in the silent auctions.

Special thanks go to Joanna Carrick of Red Rose Chain for hosting Malka's Ipswich launch in April 2017, Madeline Lees of the Angel Cafe in Diss, and Harford Community Centre in Norwich. Stefan and Lois are also extremely grateful to all of the judging panels who have selected Malka for screening as part of international film festivals around the globe and have thereby brought her message to touch the hearts of many more.

Music
The music for Malka features the distinctive voice of Czech singer Sebastiana Black (based in Norwich), accompanied by a haunting mix of sounds created by various ancient musical instruments including the sackbut, shawm, bass viol and bowed psaltery. Musicians Stefan Freedman, Adrian Lush and Andy Mapplebeck are all Ipswich-based.

Below: Czech singer Sebastiana Black (lead vocals)

Below: Left to right: Andy Mapplebeck, Stefan Freedman, Adrian Lush, Lois Cordelia, January 2017. Photo credit: Tony Mounter.

Above: Left to right: Andy Mapplebeck, Stefan Freedman. Photo credit: Tony Mounter.

Above: Stefan Freedman, Adrian Lush. Photo credit: Tony Mounter.

Above: Stefan Freedman. Photo credit: Tony Mounter.

Above:  Left to right: Andy Mapplebeck, Stefan Freedman, Adrian Lush, Lois Cordelia, January 2017. Photo credit: Tony Mounter.

Lyrics

Malka

(dedicated to refugee children)
 

Storm winds whistle in the sky
Birds cry, flying helter-skelter
Malka, walk a little more
Though your feet are sore
While there is still some light to guide us
Sorrel soothes our tired feet
Lovage we can eat
Look out for somewhere they won't find us

"When will we be going home?"
Malka, our future is unknown
Each day we'll be moving on
Till the danger's gone
We're following a road to freedom
Sing once more your favourite song
Keep your spirit strong
Hold all your dreams until you need them

"When can I play with my friends?"
Malka, so many paths were taken
Strangers, unfamiliar words
Like migrating birds
That vanish over moonlit mountains
Some day in another land
We'll dance hand in hand
We'll wash our feet in sparkling fountains

Storm winds whistle in the sky
Birds cry, flying helter-skelter
Malka, walk a little more
Though your feet are sore
Tomorrow we'll have better weather
Soon we'll stop and build a fire
Burning with desire
That one day there'll be peace forever
© Stefan Freedman


Artwork
Ipswich-based artist Lois Cordelia began creating the artwork for Malka in May 2016. Over the following 6 months, she assembled a series of more than 60 visuals, inspired by Stefan's lyrics. Lois's mixed media illustrations combine painting, drawing, paper-cutting, brushpen, photography and digital effects, layered together to heighten the emotional intensity of each image.

One of the challenges that Lois faced was how to convey both the traumas and the aspirations of the young girl, Malka, in ways that touched people's emotions without being unbearably painful to watch. The film hints at the trials and hardships that Malka and her mother endure, but also plants seeds of hope for a brighter future.

Lois wanted her pictures to have a universal appeal, hence her depictions of Malka embrace various ages and different nationalities. She also emphasises the value of using creative activities as therapy for refugee children, suggesting how the young girl could express her memories of trauma through her own paintings. Remembering how to paint as a child was an important part of Lois's journey following in the footsteps of Malka.

Below: Circle Dancing, led by Stefan Freedman



Below: Zaramo in concert: Birgitta Campbell fiddle, Sebastiana Black vocals, John Firmin accordion, Kim Redshaw djembe. Norwich, March 2018.

Below: Zaramo in concert, with Stefan Freedman


Below: Lois Cordelia (Malka visual artist), with some of the artwork for the film, and two fresh paintings completed during the Norwich fundraiser.


Below: The mother and child painting chosen by the winner of the silent art auction.


Below: More live acoustic music by Salman Toheed of the Blasian band


Below: Zaramo in concert: Birgitta Campbell fiddle, John Firmin accordion, Kim Redshaw djembe, Sebastiana Black vocals. Norwich, March 2018.

Saturday 7th July 2018 witnessed the launch of Hoodwinked 2018, Nottingham's stunning new public art trail, featuring a twist of the tale of local legendary outlaw Robin Hood: 33 giant Robin statues have flocked to the streets of Nottingham, each one hand-painted by an artist. This free public art trail is presented by Nottingham City Council in partnership with creative events producers Wild in Art and charity partner Nottinghamshire Hospice, for whom the Robin symbolises hope after the passing of a loved one. Wild in Art is celebrating its 10th anniversary this year.

The Sheriff of Nottingham Councillor Catharine Arnold attended the official Hoodwinked 2018 launch party in the picturesque grounds of Nottingham Castle on the evening of Thursday 5th July, at which many of the Robin sponsors and artists were also present.

Green Man of Sherwood Forest

Ipswich artist Lois Cordelia is proud to publicly reveal her design entitled Green Man of Sherwood Forest, which is generously sponsored by Benoy. Graham Cartledge CBE of Benoy writes: "We are delighted to show our support to Nottinghamshire Hospice, a very well-deserving local charity. The Hoodwinked initiative will attract visitors and locals alike, encouraging people in our community to connect through creativity - something that is at the heart of what our designers do at Benoy."

You can find Green Man of Sherwood Forest in Trinity Square, Nottingham, from 7^th July until 30^th September 2018. He looks forward to meeting you! ;-)

Left to right: the Sheriff of Nottingham, Jason Curtis, Green Man of Sherwood Forest, Lois Cordelia, Graham Cartledge (Benoy)
Photo credit: Whitefoot Photography. Used with kind permission.
Above - left to right: the Sheriff of Nottingham, Jason Curtis (model for the two portraits of the Green Man), Lois Cordelia (artist), Graham Cartledge (CBE of Benoy). Nottingham Castle, Thursday 5th July 2018. Photo credit: Whitefoot Photography - used with kind permission.

About Benoy

Benoy is a global family of design specialists committed to delivering world-class solutions for the built environment. Balancing creative vision with commercial viability, Benoy works with clients to create iconic destinations that enrich people’s lives, strengthen communities, enhance nature, and deliver lasting economic value. Benoy was founded by Gordon Benoy as a small architectural company in rural Nottinghamshire. Today, it has design studios in the United Kingdom, Abu Dhabi, Singapore, Hong Kong, Shanghai and Beijing. The company is primarily known for its global retail architecture, with projects such as Westfield London UK, Elements, Hong Kong, and ION Singapore. Its philosophy is that 'creativity and viability are not mutually exclusive'.

Lois's partner Jason (appropriately also an archer and expert leatherworker) kindly agreed to model for the two portraits of the Green Man, one of which winks in a mischievous spirit.

Left to right: Graham Cartledge (Benoy), Lois Cordelia,Green Man of Sherwood Forest, Jason Curtis, the Sheriff of Nottingham
Photo credit: Whitefoot Photography. Used with kind permission.
Nottingham Castle, Thursday 5th July 2018. Photo credit: Whitefoot Photography - used with kind permission.
Photo credit: Whitefoot Photography. Used with kind permission.
Nottingham Castle, Thursday 5th July 2018. Photo credit: Whitefoot Photography - used with kind permission.



Lois and Jason were accompanied by this impetuous little fox, all clad in Lincoln green. Jason had made a miniature longbow and an exquisite hand-embossed leather quiver for the fox, who goes by the affectionate name of Fluff, and was quite the star of the show! Jason designs and creates stylish, high quality and ethically sourced leather goods to commission for personalised gifts, costume and historical reenactment. He specialises in archery equipment and holsters.



Lois tells the story behind her Robin design in this 4 minute video:



Lois has recently explored the theme of the Green Man in a variety of unusual art mediums, including paper-cutting, creative cartography, and upcycled plastic straws. Now she is proud to have depicted this timeless symbol on a public art statue in the heart of Nottingham.

Lois remarks: "The Green Man or Foliate Face often appears in ancient carvings as a face surrounded by oak leaves. It is generally interpreted as a symbol of the endless cycles of rebirth, re-growth or re-greening in Nature. In today's world, it has an urgent ecological relevance, reminding us of the fragile balance of Nature. It is as if we stand face to face with the spirit of Nature, who meets us with a calm, level gaze... or a playful mischievous grin! Many Green Man carvings suggest this playful game of hide and seek amongst the foliage. I have often incorporated Green Man imagery into my artwork, capturing different facial expressions and characters.

"Many folklorists claim that the legend of Robin Hood is derived from the ancient image of the Green Man, or related figures such as Jack in the Green or Robin Goodfellow (Puck). No surprise that Robin Hood is clothed in Lincoln Green. The mischievous outlaw could be hiding in any disguise!"

Lois travelled to Nottingham in April to paint her design onto the Robin statue, painting live alongside other Hoodwinked 2018 artists in a public painting space at intu Broadmarsh.

Follow: @Hoodwinked2018

Raymond Briggs' much beloved children's book The Snowman is celebrating its 40th anniversary this year. Its television adaptation first appeared in 1982. This film is powerful and haunting because it is wordless. For this reason, it makes sense that the 2012 sequel The Snowman and the Snowdog features a dog, the Snowdog, because dogs communicate so effectively without words - as do public art trails. These days, people rarely visit galleries or museums to see art – instead, art springs up on every street corner.


Painting Live at County Square, Ashford: 17th - 19th July

Ipswich-based artist and speed-painter Lois Cordelia has been commissioned to paint two of the 35 giant Snowdogs for the trail, and will travel to Ashford, Kent, in July, to bring her designs to life during a three day public art demonstration (17th - 19th July) at County Square shopping centre. Lois welcomes an audience, so don't be shy - drop by, see work in progress on the two dogs and ask questions.

Lois's two designs are called Lest We Forget the War Dogs (1918-2018) and Goldie.

Lest We Forget the War Dogs (1918-2018)
Sponsored by Ashford Borough Council

With so many events this year commemorating the 100th anniversary of the end of the First World War (1918), it is nevertheless easy to forget the 20,000 brave war dogs who were trained in dangerous front line duties, bringing first aid to the wounded, alerting soldiers to enemies, leaping across trenches, carrying messages between outposts, pulling machinery and equipment, and boosting morale among the troops. Some wore gas masks and had food, water and medical supplies strapped to them. Some became decorated with war medals. Lois's design Lest We Forget the War Dogs (1918-2018) is especially inspired by a quotation from a 1916 newspaper, which observes: "A watchdog never barks; at the most he will use a low growl to indicate the presence or approach of a hostile force. More often than not the mere pricking of the ears or the attitude of expectancy is sufficient to put his master on his guard."

Lois remarks: "I've never had dogs of my own, though have often looked after other people's and witnessed their loyal devotion. Many of the dogs of WW1 were beloved family pets, who were sent away to be trained for the war effort. In researching war dogs, I was deeply moved by the stories and anecdotes I found, but most of all by photographs of the dogs, which brought the stories vividly to life. My design is based on a few of these references. I hope it will touch many hearts and remind people of how much we owe to the war dogs."

Lois adds: "Where else can you walk through a town centre and find a piece of history as startling as the WWI tank in the centre of Ashford? It seems especially meaningful and poignant in this centenary year, and fits with the commemorative theme of Lest We Forget the War Dogs (1918-2018)."

The design is generously sponsored by Ashford Borough Council and will be appropriately placed in Ashford Memorial Gardens for the duration of the trail. It will still be there on Armistice Day 2018.



Goldie
Sponsored by Golding Vision

Kent is known as the 'Garden of England'. Lois's design Goldie is inspired by her love of painting landscapes and garden scenes using gold, shimmering and iridescent paints to evoke the beauty of every season. Goldie is generously (and appropriately) sponsored by Golding Vision, the community development arm of Kent housing association, Golding Homes, who suggested the name Goldie, as an affectionate pet name for the Snowdog.

The saying goes, a dog (even a Snowdog) is not just for Christmas, but loyally accompanies our footsteps throughout the year. A dog can be your best friend but needs to be loved and cherished. Walking is a great way to show your love, not just for your dog but for yourself, too, and what better way to witness the beauty of Nature changing throughout the seasons than to head outside!

Sunlit Woodland (35 minutes speed-painting)Acrylic on board
80 x 60 cm. 11th February 2017

About Lois Cordelia:

At one end of the scale, Lois is a speed-painter with a big brush, sweeping strokes, lots of energy and bold colours, creating portraits, wildlife art, landscapes and townscapes. She loves big canvases – especially three-dimensional ones, like giant Snowdogs! At the other end of the scale, she cuts intricate designs out of paper, using a surgical scalpel, and sculpts detailed miniature figurines from imagination.

Lois remarks: "I'm happiest working live in public, especially in the company of other artists. There is a completely different dynamic when creating live, talking with people while I paint, absorbing ideas and inspiration. Come and see me at work on my two Snowdogs between 17th to 19th July at County Square shopping centre – I look forward to meeting you!"

This year, you can see Lois's work as part of the following public art trails: Hoodwinked 2018 (Nottingham), Let's Go Quackers (Ironbridge and Telford), Minerva's Owls of Bath (Bath), Bee in the City (Manchester), Bangers and Cash (Sheffield to Monte Carlo art rally), and Snowdogs Discover Ashford (Ashford).

Donate: Let's Go Quackers Follow: @LetsGoQuackers


Once Upon a Fairytale

Ipswich artist Lois Cordelia travelled to Telford in April to paint a steampunk-fairytale inspired design onto one of the Ducks: Once Upon a Fairytale. The steampunk theme of her design was partly inspired by the history of Ironbridge and Telford and their links with the Industrial Revolution, and partly by the distinctive steampunk-style goggles of the Duck statues themselves. Combining a quirky mix of imagery in her characteristic black silhouette style on a rich antique gold background, Lois hopes her design will appeal to trail visitors of every age-group, allowing them to spot lots of fun and unexpected details.

Photo credit: Marian Byrne. Used with kind permission.
Photo credit: Marian Byrne, June 2018. Reproduced with kind permission.

Photo credit: Marian Byrne. Used with kind permission.
Photo credit: Marian Byrne, June 2018. Reproduced with kind permission.

Photo credit: Marian Byrne. Used with kind permission.
Photo credit: Marian Byrne, June 2018. Reproduced with kind permission.

Photo credit: Marian Byrne. Used with kind permission.

Photo credit: Marian Byrne, June 2018. Reproduced with kind permission.
Photo credit: Marian Byrne. Used with kind permission.
Photo credit: Marian Byrne, June 2018. Reproduced with kind permission.

Photo credit: Marian Byrne. Used with kind permission.
Photo credit: Marian Byrne, June 2018. Reproduced with kind permission.




Lois Cordelia with Once Upon A Fairytale, April 2018





Trail Map: Ironbridge 5th May - 8th July 2018


Photo credit: Julie Ward, May 2018, reproduced with kind permission.

The timing of the trail is very apt: Telford celebrates its 50th year in 2018. Telford is named after civil engineer Thomas Telford (1757-1834) who engineered many road and rail projects in Shropshire. It is often known as "the birthplace of industry". Today, Telford is the largest town in Shropshire and one of the fastest growing towns in Britain. Nearby Ironbridge is located in the heart of the Ironbridge Gorge and takes its name from the famous Iron Bridge that crosses the River Severn. Opened in 1781, the Iron Bridge was the first major bridge in the world to be made of cast iron.

Julie Ward's idea for Let's Go Quackers was originally inspired by seeing the 2013 Wild in Art trail GoGoGorillas. She said: “I wanted to do something like this ever since I first saw the gorillas on social media, but I didn’t dare hope it would be possible.  When news of the High Street Fund was announced I knew this was my opportunity to make it happen.  To qualify for funding, the idea had to be innovative, engaging and have a bit of longevity.  It also needed to show that there would be wider benefits for the community and for others.  I really believe the ducks will be all of these things.

“My next job was to source the ducks. Where do you go to buy giant ducks? When I was looking around I heard about some 9ft ducks that were for sale in a charity auction after being part of an art trail in Liverpool.  My bid secured the ducks and proceeds went to Macmillan.

“The most important thing to me is that they bring fun to our community, visitors to Ironbridge and smiles to everyone’s faces.”

Donate: Let's Go Quackers Follow: @LetsGoQuackers

 Let's Go Quackers is not Lois Cordelia's first Duck related venture. She previously created a unique trio of "duck-transformations" for the Grand Norwich Duck Race 2017 (raising funds for Break children's charity), using Duck-tape, cable-ties, galvanised steel wire and other utilitarian materials to sculpt miniature figurines onto the backs of large rubber ducks. The Ducks and their riders took part in the duck race in August 2017 in Norwich, staying afloat and upright thanks to their heavy ballast of engineering bricks strapped beneath them!

Above: Lois Cordelia beside the new Blossometer, May 2018. Photo credit: Angela, used with kind permission.


Blossom Appeal LOGO CMYK with Safe Zone

During Autumn 2017, the film was selected for screening as part of three international film festivals: the Symi International Film Festival in Greece, Woodengate Film Festival in Maramures County, Romania, and the Documentaries Without Borders Festival in Delaware, USA. The London Rolling Film Festival will mark Malka's UK film festival debut. Meanwhile, Malka has also been chosen for screening during the Films for World Peace film festival in Washington DC.

"Malka" is dedicated to refugee children everywhere, evoking the journey of a young girl refugee, Malka, and her mother across wilderness and hardship in search of safety. The film features haunting acoustic music and lyrics by Stefan Freedman, accompanied by atmospheric mixed media illustrations by Lois Cordelia. The film in its entirety can be viewed here. Public sharing of the film is encouraged.

Responses to Malka

The film has been circulated widely on the Internet and social media, inspiring a wealth of heartfelt and emotional responses, such as the following:
 

"Fascinating, astounding, haunting, very beautiful. An amazing venture for a great cause. A phrase that springs to mind: 'a modern Gesamtkunstwerk' of real beauty."
 

"I love this video. Through it I have felt the plight of refugees in a way that no amount of other media coverage could have done. Well done to all who have been involved in making it."
 

Stefan Freedman remarks: "The feedback from many people is passionate, nuanced and strongly affirming. My brother's (face-to-face) was the most surprising of all to me. He said that of all the creative projects over the years this one had gone furthest. Emotionally powerful and professionally impressive."

The development and future of Malka

Stefan Freedman was travelling on a train a few years ago when the idea for Malka first came to him. The music that began to flow together in his mind was originally inspired by a traditional Bulgarian folk tune. Stefan shaped his own lyrics to fit the music, evoking the words of a refugee mother to her young daughter, Malka, seeking to reassure her in the midst of unfamiliarity and confusion.
 

In Stefan's words:

"When Adrian [Lush] first urged me to record 'Malka' it was simply because he felt it was an exceptional song. We liked the idea of putting it on YouTube to share with friends.

"Once Lois started producing artwork, so captivating and emotive, I realised that the narrative needed exactly the right voice with an equal power. So delighted that my first choice vocalist, Sebastiana, was willing to come from Norwich to record with us.

"Once finished, the creative project seemed to merit an 'unveiling'. ... The unofficial one (for friends) was at the Ipswich Quakers on 17th March 2017, and the official open-to-public one was at the Red Rose Chain's Avenue theatre on 28th April. Combining the first public showing with a talk from SRS, entertainments and a meal - as a fundraiser for refugees - seemed to follow on naturally. I can't now recall who first suggested it or when, but how could it have been otherwise? Malka seems to have a life of her own!

"I couldn't in my wildest dreams have imagined the event raising over £1,000 for SRS. Very thrilled about this result. Big heartfelt congratulations to all involved.

"What happens next? The Malka video has the potential to serve in three ways. It touches people and creates empathy (even people like my brother who generally is not sympathetic with the refugee cause!). The artwork and music contain nuances, symbolism and many layers which provide an excellent stimulus for discussion. And as we've discovered and proven it can be the focus around which effective fundraising can be arranged." (- Stefan Freedman, May 2017)

Stefan is a teacher of traditional, sacred and circle dance, travelling worldwide to lead workshops and other events incorporating live music and displays. His dances use evocative music from all continents.
 

Thank You

Stefan and Lois wish to extend heartfelt thanks to everyone involved in making the fundraiser events a success, including all musicians and support, everyone who attended and bought tickets for the events, helped out with catering, promotion, press, radio and media coverage, ticket sales and facilities, sold copies of Malka on DVD, gave talks, assisted with transport and set-up, and everyone who bid in the silent auction. Special thanks go to Joanna Carrick, Red Rose Chain, Madeline Lees, the Angel Cafe in Diss, and Harford Community Centre in Norwich.

Music
The music for Malka features the distinctive voice of Czech singer Sebastiana Black (based in Norwich), accompanied by a haunting mix of sounds created by various ancient musical instruments including the sackbut, shawm, bass viol and bowed psaltery. Musicians Stefan Freedman, Adrian Lush and Andy Mapplebeck are all Ipswich-based.

Below: Czech singer Sebastiana Black (lead vocals)